Before Alfonso Cuarón got all grave on us (tee hee), he was making romantic comedies and they were rather good!

Here, in his first feature film, we have the story of an unlikely lothario, Tomás Tomás, who is careless in his affairs to the point of disregarding his personal safety as well as that of the women he seduces. This leads him into a series of very difficult situations, and as his life gets more complicated, he begins to realize that his lifestyle doesn’t serve him once he falls in love with his beautiful neighbor, Clarissa. Add in a whole bunch of other stuff and you’ve got it!

I imagine this film being made by a French team and starring Romain Duris and not being quite as good. The zany 90s feel of it (I seem to be catching quite a few 90s flicks in the recent months) is fun, and there are so many fine touches, such as jokes repeating like leitmotifs, that it’s endearing even as it ends up slightly predictable. I am regret having just enough Spanish to know that significant wordplay is going on, but without understanding what it might be. Sólo Con Tu Pareja may have the second best dream sequence of all time, though, after Dumbo. Ah wait. That’s a drunk scene, not a dream sequence.

[Cue Inexplicable Mexican Wrestler]

Let’s get serious, though: Cuarón is amazing. Even as this film feels like juvenilia, it’s very good quality for a 90s romantic comedy. If it had been the first of his films that I’d seen, I probably never would have guessed that he’d go on to make Children of Men, for example, and Sólo Con Tu Pareja does not come close to his other work, but I’m still happy to have seen it. I haven’t even had a chance to see Gravity yet and I love this director like Tomás loves Clarisa. I really hope he has a long and fruitful career. (His non-directorial production credits are also awesome…)

I just quickly read A.O. Scott’s NYTimes review of the film and I think he largely agrees with me. Good job, Anthony! Which reminds me, this film features one of the five most tasteless jokes I’ve ever seen in a film. Intriguing? I guess you’ll have to watch it, then, because I’m not going to tell you what it is! (Tee hee!)

Now I need to learn some Spanish. I want to know the exact language when Tomás asks Clarisa, “You feel an abyss between us?” And she answers, “Yes. A very small one.”

Alright, I’m off to look up every Claudia Ramírez film ever made.